IN·NO·SENSE? NONSENSE! Expanded Vinyl Edition
Album
Turquoise Vinyl 2 x LP
 
 
Label:
Music On Vinyl
Catalogue Number:
MOVLP2380
The Art of Noise
Adventure Series
Series Number:
Adventure 02
Audio:
Stereo
Speed:
33⅓ RPM
Release Date:
26th April 2019
Countries:
United Kingdom & Europe
& © 2019
Warner Music UK Limited
Manufactured & Distributed
by Music On Vinyl B.V.
under exclusive license
from Warner Music
Benelux B.V. a Warner
Music Group company
Made in
the EU
Barcode:
8719262009356
Rights Societies:
BIEM/STEMRA
Other Data:
Limited Edition
Individually Numbered:
x 2,000 Copies
 
 
 
 


 
 
 

 

 
 
A1.  GALLEONS OF STONE [1:11]
A2.  DRAGNET [3:27]
A3.  FIN DU TEMPS [2:04]
A4.  HOW RAPID? [0:51]
A5.  OPUS FOR FOUR [3:11]
A6.  DEBUT [1:45]
A7.  E.F.L. [5:36]
B1.  ODE TO DON JOSE [4:14]
B2.  A DAY AT THE RACES [4:02]
B3.  COUNTERPOINT [0:56]
B4.  ROUNDABOUT 727 [0:45]
B5.  RANSOM ON THE SAND [1:16]
B6.  ROLLER 1 [3:30]
B7.  NOTHING WAS GOING TO STOP THEM THEN, ANYWAY [0:44]
B8.  CRUSOE [3:37]
B9.  ONE EARTH [4:29]
 
C0.  (The No Nonsense Studio Jams)
 
C1.  THEATRICAL (E.F.L.) [3:39]
C2.  RACING [5:25]
C3.  LAST CHANCE TO DANCE (Edit) [3:37]
C4.  FABERGE 12 (Opus For Four) [2:46]
C5.  EXERCISE AND POOL MONTAGE [1:38]
 
D0.  (The Mixes Stop Here!)
 
D1.  LEGACY (12" Mix) [8:21]
D2.  DRAGNET '88 (12" Mix) [7:16]
D3.  2 MANY THANKYOUS [0:32]
D4.  ONE EARTH (New Mexico Mix) [6:23]
 
Written by Dudley/Jeczalik and published by Buffalo Music/BMG Rights Management
except: A1 & B5. Written by Jeczalik and published by BMG Rights Management
A2 & D2. Written Schumann and published by Carlin Music Corp.
A6 & B3. Written by Dudley and published by Buffalo Music.
D1. Written by Dudley/Jeczalik/Langan and published by Buffalo Music/BMG Rights Management
 
Arranged and produced by An Art of Noise
Written and performed by Anne Dudley & J.J. Jeczalik
An Art of Noise production
 
Our thanks to the following people for their contribution towards the making of this album:
A1, B2 & B5. Recorded and mixed by Bob Kraushaar
A2 & B1. Recording engineered by Roger Dudley.
A2. Mixed by Ted Hayton assisted by Dietmar Schillinger
Robert Ahwai - guitar, George Webley - bass, Frank Ricotti - percussion.
A3. Recording engineered by Bob Kraushaar
A3 & B1. Mixed by Jon Jacobs assisted by Jay Bee.
A4, B3 & B7. Recording engineered by Ted Hayton at Ely Cathedral
Ely Cathedral Choir directed by Dr. Arthur Willis,
The Choristers: Benjamin Adderley, Francis Ambrose, Douglas Bowen, Keith Burrows, Alexander Costello, Benjamin Dixon, Jonathan Edge,
Benjamin Greatorex, Simon Harris, Robery Howe, Adrian Hum, David James-Roll, Matthew Meynell (Deputy Head Chorister), Timothy Morgan, Daniel Parker, Alastair Stout, Alistair Taylor, Ian Weide (Head Chorister)
Lay Clerks: Tim Barthope, Harold Lindsay (altos?)
Peter North, David Watt (tenors)
Richard Clover, Paul Smith (bases)
Director of Music: Dr. Arthur Willis.
A5 & A7. Recording engineered by Stuart Breed assisted by Lance Phillips, mixed by Ted Hayton assisted by Nick Varack
Dave Bronze - bass, Frank Ricotti - percussion, Paul Robinson - drums 
A6. Recording engineered by Richard Lewzy, mixed by Bob Kraushaar assisted by Nick Varack.
Orchestra conductor - Colin Sheen
Orchestra leader - John Gioriadis
Violins: Bernard Partridge, Desmond Bradley, Roger Garland, Colin Stavely, David Katz, James Archer, Howard Ball, Barry Wilde,
Ian MacKinnon, Liz Edwards, Antonina Bialas, John Bradbury, Galina Solodchin, Peter Oxer, Peter Hanson, Davis Weekes, Mark Thomas
Violas: Rusen Gunes, Graeme Scott, Norris Bosworth, Tony Harris, Cellos: Peter Willson, Quentin Williams, Alan Dalziel, Marilyn Sansom,
Cathy Giles, Robin Firman
Double Basses: Mike Brittain, Tony Martin.
B4 & B6. Recorded and mixed by Roger Dudley.
B6. Tony Fisher and Maurice Murphy - trumpets, James Talbot - saxaphone, Colin Sheen - trombone
B8. Recorded engineered by Roger Dudley, mixed by Ted Hayton
B9. Recording engineered by Barry Clempson, mixed by Bob Kraushaar assisted by Nick Varack. Peter Rowan - the voice
 
The Making Of...
(Reel 4): C1, (Reel 3), C3 & C4. Engineered by Stuart Breed, assisted by Lance Philips at Air Recording Studios, 28th May 1987
C2 & C5. Originally Recorded May 1987, mixed by Gary Langan, May 2018
 
℗ 1987 Warner Music UK except D1. ℗ 1986 Warner Music UK.  D2. ℗ 1988 Warner Music UK
 
Special thanks to (in hypothetical order): Dai Davies, Mark Anders, Carol Gee, Andrea Swan, Matthew MacDougall, John Scher, Bridget Nolan,
Bert Holman, Christine Barnes, Michael Shultz, David Gentle, Derek Green, John Pasche, The Croquet Association, Rachel Speers, Akai,
Chrysalis in London, New York and L.A., The Fat Boys and Audio FX
 
Deluxe Vinyl Edition compiled and curated by Ian Peel
 
Original cover:
Art direction by John Pasche,
Typographics by Roland Williams
Photography by Alan David-Tu
Legacy photo by Phil Jude
 
Thanks: Robert Marston, Kevin Whitehouse, Ben Bell, Craig Dormer.
 
Labels and Matrix/Runout info.
 
25383 1A MOVLP 2380
25383 1B MOVLP 2380
 
 
MAX25383 1C MOVLP 2380
25383 1D MOVLP 2380
 
Gatefold Cover (outer and inner)
 
 
Inner Sleeves (fronts and backs)
 
 
Insert (front and back)
 
 
Curator's Notes:
 
The double Compact Disc Deluxe Edition's artwork was designed by Philip Marshall, when Music On Vinyl took his updated work and adapted it he wasn't credited. Legacy photo by Phil Jude is listed even though it does not appear. The gatefold sleeve it is not wide enough leaving the inner sleeves to protrude as they did on In Visible Silence (MOVLP2007). The protective pastic sleeve also tears with ease when removing the album.
 
To date, with the exception of the test pressings, there are no double black vinyl editions.

 
 
 
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The content in this website is copyright of the curator, K.M. Whitehouse,
all other images, quoted reviews are copyright of the respective copyright holders.